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For example, multiple conversations about Snow’s threat and the role of the Victors are condensed into the single conversation in the loft of the District 11 ministry, the bridal dress photoshoot and Katniss’ feigned interest in a fashion design career are removed, and Effie’s regrets about the injustice of the Quarter Quell stand in for scenes with Katniss’ full prep team. Like the first movie, the second necessarily had to simplify certain aspects of the 400-page novel for the 146-minute film. This gives Catching Fire the strength to stand as a powerful tale in its own right.

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Instead, fortunately, the Catching Fire movie achieves the same success as its predecessor by focusing on the core elements of the underlying story, drawing inspiration at times from the book and at others from the prior film. In that regard Catching Fire serves two masters in a manner that The Hunger Games movie did not, and this dynamic potentially could have created internal conflicts in the direction of the film that risked its coherence to the audience. The second film in the series, Catching Fire, presents an even more fascinating intersection between book and movie – it must function not only as the adaptation of the second book, but also as the sequel to the first movie.

By doing so the film becomes a different version of the tale than the book, while staying true to the underlying characters, themes, and message of Suzanne Collins’ story. In adapting the first novel, The Hunger Games movie made changes including restructuring to a linear plot that removes the flashbacks used in Katniss’ internal monologue and trimming out several subplots and minor characters to streamline the 374-page narrative for a 142-minute film – while also expanding the story beyond Katniss’ sole point-of-view to give the audience new and authentic perspective on the Gamemakers, President Snow, and the reality of life in Panem. Each medium has its comparative advantages and disadvantages in some ways a book will always be more powerful, while cinema will always outdo prose in others. Last year, the first film in The Hunger Games saga offered a perfect opportunity to discuss the relationship between a novel, a movie, and the underlying story portrayed in both.